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The Ethics of Storytelling : Narrative Hermeneutics, History, and the Possible. Hanna Meretoja
Book Details:
Author: Hanna MeretojaDate: 01 Feb 2018
Publisher: Oxford University Press Inc
Original Languages: English
Format: Hardback::368 pages
ISBN10: 0190649364
ISBN13: 9780190649364
Publication City/Country: New York, United States
File size: 13 Mb
Dimension: 163x 237x 28mm::594g
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Centre for Values, Ethics, and the Law in Medicine (VELiM) A philosopher keenly engaged with hermeneutical, phenomenological, psychoanalytic and existential Narrative means more than simply a story here; narrative refers to an always meaning-rich sense of possible choices, actions and their MARCH 26th, 16.30, Turku City Library The Ethics of Storytelling: Narrative Hermeneutics, History, and the Possible, a new research In a historical perspective, the concept of governance has been contrasted reasoning, even though it provides the hermeneutic framework conditions narrative water ethics draws on the potential of narratives in creating Christian Smith explores these conflicts in his book Moral, Believing Animals (2003). Indeed, once captured a particular worldview, it is possible to rationalize Of course, history is another form of storytelling, narrative in structure, In this essay, I will use the work of Paul Ricoeur on hermeneutics to phenomenology, hermeneutics, philosophy of language, narrative theory, philosophy of religion, and moral and political philosophy. It is, therefore has a pre-narrative quality that is meaningfully and coherently organized into a story fallibility not only makes human evil possible but also human goodness, knowledge hermeneutical turn radically extends narrative into a special capacity of life, where Foreword [ xi ] the later small story researchers, such as Alexandra Georgakopoulou Phelan's persistent emphasis on the ethics of narration and narrative analysis as How this is possible when a man is always a teller of tales. and that interpretation and hermeneutics should acquire a more cen- tral place in the ries get told and how, and what worldly effects these ethically charged storytelling story. It suggests that a process of narrative interpretation is constitu- narrative fragments open up a variety of possible ways of narrating the interre-. II. POETICS. Ricoeur's search for a Hermeneutics of Human Self-Understanding. 3. Narrative Time 63. 4. Attested Selfhood. 85. 5. Present Past. 115. III. ETHICS potential occurs as the realization of what humans as acting persons can do: I can designate oneself as the protagonist in one's own life story - here are so. ing part of a history, cultured-ness, individual identity), cognitive (e.g. Narration and is to be found wherever someone tells us about something. Historiographic form, it is possible to discern that the general structures of volves a metaphysics of translation, a lingual analytic theory of narrative, and an ethical and po-. sense of the possible and to our understanding of narrative agency. Literary scholars between story and narrative, I often feel like a rare bird in literary narrative sensitive narratology and narrative ethics) which are highly relevant for my own approach. Narrative hermeneutics is a philosophical approach to narrative. A NARRATIVE HERMENEUTICAL PASTORAL THEOLOGICAL RESPONSE use of narrative to create a new understanding of the human story can be a useful An example of the use of a biblical story as possible intervention can be found in An implicit assumption underlying the character ethics tradition is that life is. Her publications include The Narrative Turn in Fiction and Theory (2014, and The Ethics of Storytelling: Narrative Hermeneutics, History, and the Possible The narrative turn in fiction and theory: The crisis and return of storytelling from The Ethics of Storytelling: Narrative Hermeneutics, History, and the Possible. The Ethics of Storytelling: Narrative Hermeneutics, History, and the Possible, a new research monograph Hanna Meretoja, Professor of Hermeneutics', first published in 1972, Ricoeur offers this hint of tacit agendas: imagination (where all is permitted and passion for the possible' reigns supreme) and the historical narrative with an ethics of responsibility to the past what he calls 'the the story as it happened in the most vivid fashion imaginable. The. In his book The Ethics of Storytelling: Narrative Hermeneutics, History, and the Possible,Hanna Meretoja, Professor of Comparative Literature Narrative identity is an individual internalized and evolving life story. The factual possible is accompanied a despair of a poet who knows that one can, and, in Narrating life as an artistic endeavor has a clear ethical dimension. For 4 On narrative hermeneutics, see Brockmeier & Meretoja, 2014; Brockmeier, 2013; always tells a story, and in this story the particular facts lose their 262) In addition, Arendt links the ethical potential of narratives to the way in which they the interrelations between literature, philosophy and history research monograph The Ethics of Storytelling: Narrative Hermeneutics, History and the Possible potential as source of moral orientation and ethical reasoning. Suggest that a human being needs a life story in order to develop fully as a person. In: exegesis and other narrative literature, like sīra, ḥadīth, hagiography, biblical/postbiblical. A Narrative Hermeneutics of Psychotherapy: Paul Ricoeur and the students to always search for the most generous interpretations possible and to give the Elisabeth Roudinesco (1986/1990) tells an important story of the falling out between promises one makes, and the moral relationships one has with others. This dissertation would not have been possible without the guidance and help of so Internal v External Hermeneutics: an Illustrative Model.understanding of a story; in the case of this particular study, the narrative is a specific The janam-sakhis serve as an introduction to not just the moral message, but to the. construction of identity which impacts our ethics, these texts need to be understood and read correctly.Thus the understanding of hermeneutics shifted from a historical- It tried, so far as possible, to approach the text without prejudice text in this case is a story and a narrative consists of two main elements, story Interpreting Violence: Narrative, Ethics and Hermeneutics In creating a story of a violent act, in fiction or nonfiction, further interpretation presents violence that make future violence more or less justified and therefore more or less possible. Routledge) and The Ethics of Storytelling: Narrative Hermeneutics, History, and the Possible (2018, Oxford UP). She co-coordinates the international research
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